Script Frenzy 2011 – Are you in?

Just a little FYI for the upcoming month; if you’re into that kinda thing.

As some or even many of you may already know, it’s that time of year again…that halfway mark between Nanowrimo’s, when people from all over the world join in on the fun of Script Frenzy.

This year I’ve opted to participate with a partner and after weeks of hashing out the details, we’re ready to tackle the challenge ahead.

If you want another writing buddy…just because we all love to compare page results…

My Script Frenzy Page

For those of you who don’t know what that is:

You have 30 days (April 1 through to April 30) to complete 100 pages of original scripted material.

- Screenplays
- Stage Plays
- TV Shows
- Short Films
- Graphic Novels

It’s completely free to participate, but if you feel like donating, you can.

You don’t have to be a writer. You don’t have to know anything about writing scripts. There’s a resource section for information.

Script Frenzy website
Script Frenzy – Rules
Script Frenzy – Resources

Have fun and enjoy the challenge everyone.

Great Start to the New Year

When 2010 started out, I already knew that it was going to be a really cruddy year.

2011, thusfar, is already shaping out to be quite an interesting year. It opened with the news that my sister-in-law is pregnant and that there’s a chance it’s going to be twins. YAY. More to add to my niece and nephew collection. Loving it.

I also started to go to the gym after having done no sports or exercise for the last 8-9 years. Don’t get me wrong, I’m not overweight, but what I do have has been accumulating. I’m at 130lbs and I’d like to stay at that weight, just a little more toned. It’s mostly for my cardio that I’m doing it. I’m tired of my heart feeling weak, so gym it is!… What’s a little bill of 2,000$ to get what I want, right?…

Aside from that, I’ll be starting up my French lessons at work again. It’s always an 8 week program of intense proportions, but I WILL be speaking French fluently, even if it kills me. Currently, I speak street Quebecois. Lots of cussing and slangy French. Incredibly unattractive. If anyone wonders why I’m perfecting French, it’s because I live in a French place. It’s disrespectful to speak English when the locals don’t.

Writing is going extremely well in this new year. I’ve written upwards of 50,000 words so far on various stories. I know I should only be working on one at a time, but working on the 3 stories I love is actually getting the words out faster and the period of evolution shifts much quicker as well.

I got to hang out with one of my best friends that I haven’t seen or talked to in the last 2 years. It was as if we’d never stopped speaking. She was a little concerned it would be different and all that stuff, but being my usual carefree, laid back self, I pretty much guessed right when I said it would feel normal.

My goals before June are to finish at least one of the stories I’m working on and have at least a second draft for it. It doesn’t have to be the final draft yet, but at least the second. Finally update my website. I have this nice theme that I worked on, but I haven’t got around to fixing the small details to be able to put it online yet. It’ll be much friendlier for navigating and pretty for the eyes. Yay! Also, no more ads in the middle of articles. I hate that and I apologize for subjecting you to it.

I’ve been working on two articles as well. Creating fear in child characters in a way that draws the reader into the story, fearing for the child based on their emotions in the moment, and another that talks about the rambling that writers tend to do, that others find incredibly annoying, but it as important to a writer as discussing a bug in code for a programmer.

Update soon!

Have a great day and I hope you’re all having a great start to your new year.

An opinion on independent publishing, shoddy work, and hasty authors

In many ways, the internet has affected the way literature has evolved in recent years. Like the film industry, it has paved the way for the underdog to rise up and really make a name for themselves. I’ve enjoyed quite a few of them and there are those who share their work freely on the internet who truly deserve to be published, but don’t.

If this were an article on publishing great works as an independent author, then I’d go on about it, but this isn’t that kind of article.

Independent publishing has removed the necessity of being rejected multiple times by a publishing house, because as humans who haven’t mastered an art form, we hate to feel rejected. So sad. Sniff.

Forget art. A few simple steps, a credit card and a click of a button can get you published. Ego fully intact. Congratulations, you’re an author…

I know, I sound bitter, but really I’m just frustrated. I think we’ve forgotten somewhere along the way that there is a learning process behind those rejection letters. If someone didn’t like it, there’s a reason for it. The world isn’t out to get you. Sometimes, you can glean some kind of information, sometimes valuable, from a rejection letter that might tell you what went wrong. Yeah, I know, not all of them will. Most won’t. But gems aren’t meant to be a dime a dozen. Unfortunately, many will tell you how crappy your writing is and you’ll feel discouraged enough to quit. Don’t quit. A little pain is worth it when you finally get that book published and your name is now attached to a legitimate piece of art that won’t embarrass you in the future.

After all, that’s the fun of being a writer, right? We all want to be the next Asimov, Tolkien, Reichs, Rowling, Cussler, King….Right!?

Right.

When I started writing at 5; my own internal solution to learning English, I just wanted to write my very own Goosebumps story. Simple enough, I’d say. I was told it was very hard to get published, but that if I worked really hard and didn’t mind people telling what was wrong with my story, then it was always a possibility.

I’ve been writing for 21 years, I’ve soaked in every piece of criticism, whether I liked it or not. I’ve had the fortune of teachers who provided me with editors and librarians who invited guests like Barbara Henner to speak to the kids about writing books and getting published. I was instilled with the belief that if I took every rejection letter, learned from it, and managed to do so well that even a big publishing house would publish me eventually, then I’d done what I set out to do. I would be a true author.

In the meantime, I decided to tell my stories to my friends. I wrote for them. I told for them. I aimed to please them. I drove them insane with hundreds of unfinished stories. I was just too excited to get all those ideas out of my head. But it was a positive solution to minor setbacks.

Despite the lure of a simple solution that would leave no room for true heart-ache, I have avoided the independent publishers. For one main reason.

They lack credibility.

No, not the publishers themselves, but the authors who choose to have their work published. I was appalled to realize just how many first drafts were published directly; spelling mistakes, grammatical errors, structural issues, and even things as simple as keeping their character’s eye colour consistent. It sounds silly, but it’s little details that make an author look like a rank amateur and make people never want to buy another book by them ever again. Heck, they want to draw and quarter them for wasting 10.99$ on a piece of crap.

It isn’t impressive and if you brag about it, you look like a bigger ass than before. This isn’t the tabloids and you aren’t an actor trying to stay in the media. Bad writing is bad publicity and bad publicity makes people not buy your book. I don’t care how many people tell you otherwise. If your goal is to catch the eye of some network or production studio, then please, go write scripts. Stop cluttering literature with garbage.

Most of all, people resent 3 things when authors publish shoddy work. 1) The money they put into it, 2) The wasted time, and 3) Their lowered IQ.

1) You can say, ‘Oh, it’s only $10.99’, but what gives you the right to take someone else’s hard-earned money for your lazy literature?…Obviously, you don’t care if you bothered to do it in the first place.

2) Who has time to waste? Not many. If you want them to sit down and read your book, you better make sure it was worth their time. Maybe not everyone will be happy with your story, but you want your target audience to mostly like it.

3) Ever read a story and felt dumber at the end than when you started? Don’t insult your audience. They don’t like it and they’ll hate you for it and smear your name all over the internet about how much of an arrogant ass you are for ever publishing it. Especially if they find out you self-published.

Having said all that. I may not have finished NaNoWriMo on time, ever, but I have pride in what I write. I work it and re-work it until I’m satisfied. I will continue to do so, until I feel like it’s worth the money I’m going to make someone spend on it.

Love your audience, respect your audience and if you MUST go through an independent publisher….please get your work edited or reviewed and listen to what people have to say. Some demands might be completely illogical and will be outright trolling, but there’s usually a hint of truth and they just don’t know how to tell you why. Look for the reason why or try to find alternatives that work with your story and please the readers too. No opinion is a sole opinion. Keep that in mind.

Have a great day!

Thanks for reading.

An Introduction to Fear in Writing

Fear is one of the most fascinating things I really enjoy writing into a story, because when you get to the point where you’re freaking yourself out on behalf of your character, you know you’ve captured it. It gives you a rush as if you have finally had a ‘real’ writer moment.

Ideally, you would best describe me as a morbid writer, because I write about fear, death, murder, and even torture as passionately as a sappy person writes a romance novel.

We write about the things we know about from experience. That does not mean that I am a psycho murderer who enjoys torturing people. I just enjoy capturing the emotions; not the happy sort.

Back to the introduction: What kinds of people do and do not write about fear? Why?
(more…)

Productivity, Tools, Rants and Sherlock

Productivity

I realize that my productivity on my own blog has decreased immensely, however, I have a good reason for that! I’ve been busy writing. I know; it’s terrible, but I have to get this story out of my head and onto paper (in a file), before I lose it all. I’m sure you all have encountered a similar situation!

Writing Tools

Once I get it out, I’ll be continuing my tool. Who knew it could be so hard to write those. I always scoffed and ridiculed the fact that some helpful articles were a mere 5-6 paragraphs long. Now I think I understand why. I believe that they encountered the same thing I did. Where is the limit? … I got into writing the article and next thing you know I’m off on 17 different tangents that all explain the concept, but are just TOO into detail. Unless that’s what people want. Personally, that’s what I want. At this rate, however, I’m going to end up having an entire category devoted to the different emotions to write into characters’ personalities. Oye. I’m dreading the maintenance on that already.

The Rant

Aside from that, I need to take a moment to rant about my local bookstore.

Dear Local Bookstore,

What the hell were you thinking, when you came upon the bombshell of brilliance that is your thought process, and decided to put all the books about the ancient world in a random place that no one can find. And then not only do you move it, but then you don’t let the employees know. I swear, nothing is more irritating than ‘helpful employees’ that stand exactly where I was standing for 10 minutes scanning the books and then scratch their head and say, ‘I guess they must have moved it.’. Clearly, Sherlock.

If you could…oh, I dunno, FIND THEM, that’d be great.

Ever devoted bookbuyer,
Me.

Sherlock

On a tremendously random note– Okay, perhaps not all that random, since I just mentioned Sherlock’s name in the above rant; I was told (threatened) to watch Sherlock (the BBC mini-series) and was pleasantly surprised to discover that it was indeed quite an interesting show. It’s full of wit and dark-humour. It’s like a dream come true for every sarcastic individual out there. The actors are brilliant. And as my coworker (the one who threatened me into watching it) has mentioned (about 10000 times a day), it’s ridiculously hilarious that Sherlock gets all ‘Awww *hearts*’ whenever Watson thinks something he did was brilliant. That’s not the hilarious part. It’s the crest-fallen look on his face when Watson turns it into an insult after. HAH. Maybe I’m just mean.

Anyways. Aside from that, it’s superb and delightful, both intellectually and aesthetically, for the mind to watch.

Have a great day!

Character and Situation Writing Tools (Coming Soon)

I’ve been spending hours upon hours of my time working on articles that I’m hoping will be useful for writer’s to take information from and apply them to their characters. I’m not bothering with the general layouts of stories, because I think there are enough self-help books out there on how to be a writer. These tools are geared for rounding characters and situations based on real-life observations. I thought that all those years I spent listening to people and observing them should be shared with others. It would be even neater if others would also give their view on the topics as well. I won’t hold my breath for participation, but I can hope for it.

Having said all that, there was one thing in particular I’ve been working on lately; fear. The understanding of fear. Is it survival instinct? Is it a defense mechanism? Do you think that it’s a lack of understanding? Do you think that reckless necessarily means that one is unaware of the dangers? I have pages and pages in my blog post draft of this topic, I’m trying to hone it down to a few things instead of the mashup of everything I’ve accumulated.

Let me know what you think, if you’d like.

If not, then that’s fine and I still wish you a good day!

The First Attempt at a Beatsheet

I’ve been reading this excellent book, written by Alex Epstein, called Crafty TV Writing : Thinking Inside the Box. It’s a really fantastic book for screen-writing, and I’m sure most of you who do screen-writing probably already know of it, but on the off-chance that you don’t. You need to get it. I’ve never looked at television like I do now. I keep going back on all the shows I’ve watched, searching for the patterns described, the templates, the consistency in successful shows. The way they pull the stories through the acts and come up with that final scene. The way they frustrate the hell out of you, but you can’t help going back. I wonder if we’re gluttons for punishment or just overly curious.

Perhaps both.

One part of the book makes mention of a beatsheet.

“A beat is the smallest unit of storytelling. It is a piece of the story in which something happens.”

So basically, it’s beats of pauses, not like a rhythm or anything.

Rambling…anyways…so I thought I’d give it a go. I have this habit of wanting to obtain perfection on a first attempt, and like I’ve discovered, while reading this book, it’s just not obtainable on the first try unless you’re someone uber and even then most of the time isn’t the FIRST draft, only the official first draft. Rewrites are the way!

So keeping that in mind, I embarked on the mass short-cut scene writing, so that I would have something to work with and fine-tune.

And it’s working. I’ve never had a screenplay flow so easily on to the paper. Knowing that quite a few of these will probably be written out and others will be further pushed into additional scenes, doesn’t feel like such a daunting situation anymore.

Instead I look forward to seeing where the characters are taking me, which characters have decided that they want to be core cast and which want to be regulars, and others…that are just for fluff and character. It’s interesting.

What am I learning from this beatsheet? You quickly see how fast/slow the scenes are in your Episode. I’m also noticing the places where I used to add fluff and why it’s not important to have them in the Episode at all. What I thought was important, ended up being explained away in another scene without even needing to outright explain it to the viewers and that’s something I never had visible before.

It’s like it gives you a fresh perspective on the true timeline and a clear goal. My next challenge, will probably be finding the scenes that separate the acts in an interesting way so that viewers stay hooked through the commercial and don’t change the channel.

This is quite a liberating experience for me right now. I’ve been writing amateurish scripts since I was 11, so 14 years now and only now am I truly trying to work on a technique and come up with something to present to the world. If this works out really well, maybe I’ll attempt a spec script! *crosses fingers in hope*

That would be cool.

Have a good day!

Early Morning Day 5 of Script Frenzy

I’m not entirely certain whether it’s healthy to be up at 3:30 in the morning just to write a script. Personally, I think it’s a little ridiculous, I mean, I should be in bed, sleeping, enjoying dreams and soaking in the rest and relaxation before the sunlight streaks its way through the windows….That’s the logical thought process and yet here I am.

In my defence, my storyline has mutated quite a bit from yesterday. Certain things that had initially been brought up, are no longer in the picture and others are a little fairer. I needed a more distinct difference between the protagonists and antagonists. Before, I had an issue of them meshing a little too much, but hopefully I’ve managed to smooth it out.

So here I am. 31 pages into my screenplay, 69 to go!

Let’s see…what have I learned in the last 24 hours?

1 – There’s such a thing as too much Coca Cola. When you’re talking a mile and minute and manage to have 7 conversations within 16 minutes with the same person, you’ve just surpassed the limit and need to lay off.
2 – Sometimes, you don’t need to create drama where none is need. Sometimes, it’s just better to let the story flow.
3 – When they say that every interaction should have conflict, it doesn’t mean outright conflict. In the case of a scene I was writing, there was a situation that came up that normally the cliché would suggest being argumentative and cause some kind of friction. Instead I made the character reluctantly accept, while making a backhanded comment that would suggest dissension, but much more subtly.
4 – Watching movies while writing is such a bad idea. I wish it were because it wrongly inspires you, but for me it just kind of distracted me from getting any writing done.
5 – Pushing through a scene by writing crap is sooo much easier to work with. You can always go back later and correct it.

So, I hope you all have a good day or sleep when you get there (I can’t be the only one up at this time, who should be in bed)

Ahhh…Script Frenzy. It’s that time again.

Okay, so we have a full month (the month of April) to write a 100-page script for Script Frenzy. It’s the sister competition to NaNoWriMo and sadly, I think I’m going to fail this one almost as badly as I failed NaNoWriMo. I made the fatal error of introducing a character that I felt would make the entirety of the story much better and far more interesting, but it wasn’t feasible in the timeframe allotted to the competition.

Now though, I’m specifically sitting down a week ahead of time to try to work out the plot and really see if there’s any chance that another character might try to get its own cameo. Yes, we’re allowed to do that with this one. I specifically remember getting an e-mail about it from the NaNoWriMo newsletter that we should go ahead and start planning things out. So I am.

Now I run into a whole new problem! I have too many different ways the entire thing could end. Do I kill someone? Do I have someone sacrifice themselves? Do I let them all live happily ever after? Do I let the bad guy win? Hmm…the potential. It all sounds potentially intriguing and I’m looking forward to starting Script Frenzy, but it’s driving me nuts already!

I’m trying to keep a few short things in mind while I work on this one though:

1- Don’t introduce anyone or anything new that wasn’t in the original plot.
2- Avoid the temptation to aim for perfection on the first draft.
3- If it sounds stupid, write it anyways, I can make it sound better later.
4- Have fun.

And that’s about it. Anyways, I’ll update this one in a week and see where I get at.

Enjoy your day and to those participating in Script Frenzy, try to keep the insanity for April 1st.

NaNoWriMo Failed – And Script Frenzy competition coming up!

Where’s an Epic Fail badge when you need it? No really, I failed at NaNoWriMo this year. It was my first year trying and I’m used to writing in my own timelines. I generally tend to veer off course and end up somewhere in the middle of a quiet field standing on the edge of a desert wondering how I got this far off track.

I made a fatal error approximately halfway through the month of November when I introduced a character that managed to write her way into my story. I know the logical advice would have been to just not write her in, but any writer knows that you don’t get to decide who is in your story. Characters will always find their way in, situations will arise that you hadn’t initially thought would happen. Your story outline for the most part is just a guideline. I tried my best to stick to that guideline, however, this character was so important to the story that I had to go back to the beginning to introduce her and explain why she was important to begin with. However it destroyed the entire 6,000 words I’d written for the beginning and made them entirely moot. I found myself facing 3,000 words instead of the 12,000-13,000 that I had hoped to be at by the end of that day.

Normally I would agree that I should have pressed on, but I’d lost the entire story I had and nothing I could have done could have salvaged it for this year. I didn’t want to end up with a pitiful excuse of a book. It’s nice to say that NaNoWriMo has no rules; just that you have to write until you hit 50,000 words, but I have my standards and I didn’t want to reach the end with a bunch of gibberish. So sadly this story is being redefined and I’ll start over from the beginning in next year’s competition.

On the plus side, there’s another competition this year and it’s called Script Frenzy. Script is actually my preferred way of writing. It requires a lack of description and thrives mainly on the dialogue with bits of description in between. After all, you’re only giving lines to the actors and giving an idea to the director, not telling him/her how to do their job. It’s up to them to make it look great; they just need a good basis.

Anyways! So here’s the challenge.

During the month of April!

100 pages of original scripted material in 30 days.

You may write the following types of scripts:

-       Screenplays

-       Stage plays

-       TV shows

-       Short films

-       Graphic novels

Find out more about Script Frenzy?

Register for Script Frenzy