I’ve been reading this excellent book, written by Alex Epstein, called Crafty TV Writing : Thinking Inside the Box. It’s a really fantastic book for screen-writing, and I’m sure most of you who do screen-writing probably already know of it, but on the off-chance that you don’t. You need to get it. I’ve never looked at television like I do now. I keep going back on all the shows I’ve watched, searching for the patterns described, the templates, the consistency in successful shows. The way they pull the stories through the acts and come up with that final scene. The way they frustrate the hell out of you, but you can’t help going back. I wonder if we’re gluttons for punishment or just overly curious.
Perhaps both.
One part of the book makes mention of a beatsheet.
“A beat is the smallest unit of storytelling. It is a piece of the story in which something happens.”
So basically, it’s beats of pauses, not like a rhythm or anything.
Rambling…anyways…so I thought I’d give it a go. I have this habit of wanting to obtain perfection on a first attempt, and like I’ve discovered, while reading this book, it’s just not obtainable on the first try unless you’re someone uber and even then most of the time isn’t the FIRST draft, only the official first draft. Rewrites are the way!
So keeping that in mind, I embarked on the mass short-cut scene writing, so that I would have something to work with and fine-tune.
And it’s working. I’ve never had a screenplay flow so easily on to the paper. Knowing that quite a few of these will probably be written out and others will be further pushed into additional scenes, doesn’t feel like such a daunting situation anymore.
Instead I look forward to seeing where the characters are taking me, which characters have decided that they want to be core cast and which want to be regulars, and others…that are just for fluff and character. It’s interesting.
What am I learning from this beatsheet? You quickly see how fast/slow the scenes are in your Episode. I’m also noticing the places where I used to add fluff and why it’s not important to have them in the Episode at all. What I thought was important, ended up being explained away in another scene without even needing to outright explain it to the viewers and that’s something I never had visible before.
It’s like it gives you a fresh perspective on the true timeline and a clear goal. My next challenge, will probably be finding the scenes that separate the acts in an interesting way so that viewers stay hooked through the commercial and don’t change the channel.
This is quite a liberating experience for me right now. I’ve been writing amateurish scripts since I was 11, so 14 years now and only now am I truly trying to work on a technique and come up with something to present to the world. If this works out really well, maybe I’ll attempt a spec script! *crosses fingers in hope*
That would be cool.
Have a good day!